Menu
close

Inventory

/

Gli Amanti

[#Beginning of Shooting Data Section] Image Size:L (8256 x 5504), FX 2021/04/09 13:15:36.91 Time Zone and Date:UTC+1, DST:OFF Lossless Compressed RAW (14-bit) Artist:Peter Cox Copyright:Naamsvermelding verplicht NIKON Z 7II Lens:NIKKOR Z 70-200mm f/2.8 VR S Focal Length:130mm Focus Mode:AF-S AF-Area Mode:Wide Area AF (L) VR:OFF AF Fine Tune:OFF Aperture:f/11 Shutter Speed:1/80s Exposure Mode:Manual Exposure Comp.:+0.7EV Exposure Tuning: Metering:Matrix ISO Sensitivity:ISO 100 Device: White Balance:Auto0, 0, 0 (4510K) Color Space:Adobe RGB High ISO NR:OFF Long Exposure NR:OFF Active D-Lighting:OFF Vignette Control:OFF Auto Distortion Control:ON Diffraction Compensation:OFF Picture Control:[SD] STANDARD Base:[SD] STANDARD Effect Level: Quick Sharp: 0.00 Sharpening:+3.00 Mid-Range Sharpening:+2.00 Clarity:+1.00 Contrast: 0.00 Brightness: 0.00 Saturation: 0.00 Hue: 0.00 Filter Effects: Toning: Optimize Image: Color Mode: Tone Comp.: Hue Adjustment: Saturation: Sharpening: Latitude: Longitude: Altitude: Altitude Reference: Heading: UTC: Map Datum: [#End of Shooting Data Section]
[#Beginning of Shooting Data Section] Image Size:L (8256 x 5504), FX 2021/04/09 13:13:27.56 Time Zone and Date:UTC+1, DST:OFF Lossless Compressed RAW (14-bit) Artist:Peter Cox Copyright:Naamsvermelding verplicht NIKON Z 7II Lens:NIKKOR Z 70-200mm f/2.8 VR S Focal Length:115mm Focus Mode:AF-S AF-Area Mode:Wide Area AF (L) VR:OFF AF Fine Tune:OFF Aperture:f/11 Shutter Speed:1/80s Exposure Mode:Manual Exposure Comp.:+0.7EV Exposure Tuning: Metering:Matrix ISO Sensitivity:ISO 100 Device: White Balance:Auto0, 0, 0 (4700K) Color Space:Adobe RGB High ISO NR:OFF Long Exposure NR:OFF Active D-Lighting:OFF Vignette Control:OFF Auto Distortion Control:ON Diffraction Compensation:OFF Picture Control:[SD] STANDARD Base:[SD] STANDARD Effect Level: Quick Sharp: 0.00 Sharpening:+3.00 Mid-Range Sharpening:+2.00 Clarity:+1.00 Contrast: 0.00 Brightness: 0.00 Saturation: 0.00 Hue: 0.00 Filter Effects: Toning: Optimize Image: Color Mode: Tone Comp.: Hue Adjustment: Saturation: Sharpening: Latitude: Longitude: Altitude: Altitude Reference: Heading: UTC: Map Datum: [#End of Shooting Data Section]
[#Beginning of Shooting Data Section] Image Size:L (8256 x 5504), FX 2021/04/09 13:17:54.72 Time Zone and Date:UTC+1, DST:OFF Lossless Compressed RAW (14-bit) Artist:Peter Cox Copyright:Naamsvermelding verplicht NIKON Z 7II Lens:NIKKOR Z 70-200mm f/2.8 VR S Focal Length:130mm Focus Mode:AF-S AF-Area Mode:Wide Area AF (L) VR:OFF AF Fine Tune:OFF Aperture:f/11 Shutter Speed:1/80s Exposure Mode:Manual Exposure Comp.:+0.7EV Exposure Tuning: Metering:Matrix ISO Sensitivity:ISO 100 Device: White Balance:Auto0, 0, 0 (4530K) Color Space:Adobe RGB High ISO NR:OFF Long Exposure NR:OFF Active D-Lighting:OFF Vignette Control:OFF Auto Distortion Control:ON Diffraction Compensation:OFF Picture Control:[SD] STANDARD Base:[SD] STANDARD Effect Level: Quick Sharp: 0.00 Sharpening:+3.00 Mid-Range Sharpening:+2.00 Clarity:+1.00 Contrast: 0.00 Brightness: 0.00 Saturation: 0.00 Hue: 0.00 Filter Effects: Toning: Optimize Image: Color Mode: Tone Comp.: Hue Adjustment: Saturation: Sharpening: Latitude: Longitude: Altitude: Altitude Reference: Heading: UTC: Map Datum: [#End of Shooting Data Section]

Arturo Martini

Gli Amanti, 1941

Bronze and wood | 43 x 30 x 24 cm

Enquire

Provenance

Giovanni Fenzo Collection, Venice
-2020 European Private Collection

Exhibited

Arturo Martini: opere edite e inedite, 1908–1944, Galleria Dieda, Bassano del Grappa, Italy, 1996

XXIII Biennale Internazionale d’Arte di Venezia, 1942

Literature

M. Bontempelli, Arturo Martini, U. Hoepli, Milan 1948, no. XXXI

G. Perocco, Arturo Martini, Fabbri, Milan 1966, no. 469 with ill. no. 432

M. De Luigi, Arturo Martini. Gli anni veneziani, Electa, Milan 1989, p. 161

N. Stringa, Arturo Martini al museo di Treviso, S.I. Banca popolare di Verona-Banco S. Geminiano, 1996, pp. 46-47

G. Vianello, N. Stringa, C. Gian Ferrari, Arturo Martini. Catalogo ragionato delle sculture, Neri Pozza, Vicenza 1998, p. 331 no. 500 (plaster illustrated)